An unwavering belief that creative expression and storytelling can change people, places and communities fuels Monique’s passion as an arts manager and emerging arts leader. Since 2008 she has worked in senior development roles with leading Western Australian arts organisations Perth Festival, Black Swan State Theatre Company and Barking Gecko Theatre, collaborating with some of Australia’s most innovative artists and arts workers to deliver world class experiences for communities near and far. Her experience spans theatre, orchestral music, dance, visual arts, contemporary music, literature, opera and large scale public events. 

Monique specialises in engaging and managing stakeholders, building a network of ambassadors who enable artists to create work to enrich our community. She has cultivated and managed a diverse range of business, philanthropic and government partnerships across a variety of sectors including resources, finance, professional services, hospitality and tourism. Through transformative and authentic leadership, strategic focus and boundless optimism, Monique has fostered high-performing teams that have raised significant fundraising income for arts programs and projects. 

Monique has been a Non-Executive Director on the Board of ThinIce Productions and Barking Gecko Theatre. 

Grant is a passionate marketer with over 10 years’ experience in traditional and digital marketing in the government, corporate and not-for-profit sectors. He has worked with clients and organisations across nearly all industries including retail, automotive, home building, local government, education and aged care.

Grant is that rare combination of someone with a love for both numbers and creative storytelling. Integral to his process is his passion for data and research, customer experiences and results-based, creative marketing strategies.

Grant holds a Bachelor of Commerce in Marketing and Advertising from Curtin University.

John Michael Swinbank has managed the company’s publicity since 1999. Prior to this appointment, he was with West Australian Ballet from 1994-1998. His 20+ year professional practice includes all disciplines in the arts and culture sectors, including theatre, dance, music, visual arts and PR management of over 20 arts festivals. He holds a Master of Communication Management from Murdoch University and has ongoing research interests in strategic communications, propaganda and visual communications, especially the Vietnamese Propaganda Art from 1946-1975. Please contact John Michael for any publicity requests regarding Spare Parts Puppet Theatre.

Megan graduated from the Victorian College of the Arts (VCA) in 2010. Since graduating Megan has worked on an array of theatre shows and events throughout Australia from small local shows to large scale outdoor events. Working in many roles over the years Megan has had a particular focus on Stage Management, Production Management, Lighting Design and Tour Management.

Over the last decade Megan has worked with a variety of companies in both a freelance capacity and in full time roles including Sydney Festival, Melbourne Festival, Melbourne Theatre Company, Belvoir Theatre Company, Illawarra Performing Arts Centre, and Polyglot Puppet Theatre. Since setting down a base in Western Australia, Megan has worked for companies including Black Swan State Theatre Company, Western Sky Projects, and Fremantle Theatre Company. Megan is also passionate about teaching and held the position as lecturer in Stage Management at the University of Wollongong for several years.

As Creative Producer Megan works between the administrative side of getting Theatre and Event works on the road and, along with the Production Manager, ensuring a smooth-running theatre season here in The Spare Parts Theatre.

Ben Nelson is a professional production manager and creative problem solver. Originally from an industrial maintenance and labouring background, he switched to a career in the arts in 2012 working with local bands in Albany (WA) before joining the Albany Entertainment Centre as acting Head of Audio. Here he expanded his technical theatre skills working with various touring productions until he was drawn to Perth to work on new creative productions.

He has had the privilege of managing the creative production of various new works including Whoosh! and Wonderbox (Perth Fest 2023) with Sensorium Theatre and Black Brass (Perth Fest 2021, Sydney Fest 2022), Children of the Sea (Perth Fest 2021) with Performing Lines WA.

As an adult convert to the arts, he is a believer in the fulfilling and enlightening nature of theatre and is passionate about accessibility for people of all ages and backgrounds whether they are audience or hoping to build a career in the arts.

In his role as Production and Technical Officer, Ben works in the practical side of getting shows up and running, including building sets and repairing puppets.

Harrison Lorenz-Daniel (he/him) is a Boorloo-based theatre maker whose work spans performance, direction, and production. A graduate of WAAPA with a Bachelor of Performing Arts (Performance Making), Harrison specialises in collaborative processes to devise theatre with and for young audiences. His current research explores how emerging digital technologies can transform creative learning experiences. He’s deeply passionate about theatre’s ability to shape vibrant cultural futures for the next generation.

Harrison debuted as Benji in Bad Feminist for The Blue Room Theatre, earning a PAWA nomination for his performance. He has since collaborated with leading companies across Australia, including Spare Parts Puppet Theatre, Company Bad, Fremantle Australia, and Sailing with Styx, contributing as a performer, deviser, and theatre maker.

Beyond the stage, Harrison’s love for magic and music enriches his creative practice, infusing his work with a sense of wonder and play.

Una Minello is an accomplished creative with a degree in Arts Management from the Western Australian Academy of Performing Arts (WAAPA). Her journey in the arts began with a strong foundation in classical dance and music, providing her a passionate appreciation of artistic expression.

During her studies, Una worked and gained valuable experience across a diverse range of arts organisations both private and non-for profit. She completed her final secondment at STRUT dance where she developed skills in event management, philanthropy and customer relationship management. She has also worked freelance in marketing and social media management, where furthered her skillset in digital marketing and content creation. Since completing her studies Una has continued her work in arts management, focusing her work in arts education and the delivery of arts programs for the early years.

Una is committed to making the arts accessible to people of all ages and backgrounds. With four years of hands-on experience working with children in various artistic programs, she has become an advocate for arts education as an integral part of a child’s development. She firmly believes that nurturing creativity and artistic expression from a young age not only enriches lives but also moulds well-rounded individuals.

Erin recently graduated from the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, where she completed her Arts Management degree. Her studies further inspired her passion for the arts and culture, and equipped her with the essential skills needed to work in the field of arts management.

During her time at WAAPA, Erin was able to take part in a number of practicums, including a notable internship for Regional Arts WA, where she was responsible for assisting with communications, stakeholder engagement and event planning. She also served as Secretary for the Arts Management Student Organisation, where she facilitated professional development and networking opportunities for her peers.

Originally from Geraldton, located on Southern Yamatji land, Erin is deeply committed to community and regional development. She aspires to champion the arts in regional Australia, providing services and events that contribute towards a more culturally vibrant landscape. Erin firmly believes in the power of the arts to enrich peoples’ lives, allowing for emotional expression, and open minds to new perspectives and stories.